Tag: AEW

  • Kevin Knight Responds to Criticism of His Open Challenge

    Kevin Knight Responds to Criticism of His Open Challenge

    AEW has announced that Kevin Knight will defend his TNT Championship in an open challenge on Dynamite, which will be live from Asheville, NC.

    Of course, everyone’s least favorite IWC troll has to give his “hot take” in poorly veiled sarcasm.

    JDfromNY wrote on twitter, “Hey guys. This is such an ingenious idea. I’ve never seen it before!! I’m so excited about this brand new concept that could shape the landscape of pro wrestling television for months and years to come!!”

    It’s almost like he has never seen a TV based title defended before in a promotion in his life.

    Luckily, the Jet had a classy response for him, which was simply, “I agree. We appreciate the love.”

    In reality, it’s probably best not to respond to sarcastic comments like this but everyone knows that even though JD says he hates AEW (let’s be real he hates everything), he will still be watching.

    Whoever steps up to this open challenge, it should be a banger. I’m all for more Kevin Knight on TV anyways.

  • AEW is suing Triller TV for 5 Million in unpaid revenue

    AEW is suing Triller TV for 5 Million in unpaid revenue

    All Elite Wrestling (AEW) has filed a lawsuit against TrillerTV for 5 Million dollars in unpaid revenue. This unpaid revenue is stated to be from AEW Pay-Per-View sales and the now defunct AEW Plus subscription service.

    AEW’s lawsuit details a business relationship with the streaming platform formerly known as FITE that was mostly a good partnership, aside from slow payments. This was until 2024 when FITE merged into his current parent company. It was at this point that the lawsuit allegedly Triller starting to funnel funds that were generated from the AEW partnership into other operational expenses of the company. According to a SEC filing in 2024, AEW content drove 24% of all Triller Group revenue in 2024, which is nearly a quarter of the revenue for the entire company and not just TrillerTV.

    Court documents reveal how revenues were to be split. 75% of the domestic sales of AEW Pay-Per-Views and 65% of the international Pay-Per-Views were due to be paid to AEW after sale tax and app store fees. Prior to this agreement established in mid-2019, the earlier AEW Pay-Per-View revenue was split 50/50. For AEW Plus, AEW got 60% of net revenue, with Triller getting the other 40%.

    AEW alleges that the Triller Group exploited the gap in the timing between when the sales were made and when payments were due. AEW states that they sent written demands for payment to the Triller Group in January and March of 2025. An April 2026 letter shows that AEW’s counsel was claiming $4,988,989.13 in payments that were owed and that the interest rate of 2% per mount would continue to accrue.

    AEW counsel wrote, “Defendants failed to make the full payment due on March 1, 2025, paying a fraction of the total amount owed — despite the remittance being a mere percentage of the total revenue Defendants collected and had in its coffers from AEW viewers before wrongfully spending it on other ventures and expenses,” (emphasis original).

    AEW’s legal complaint alleges TrillerTV’s parent company used AEW-derived revenues to fund other businesses, including a social media platform that never took off. The accusation is that they used funds to do this rather than paying AEW what it was owed.

    AEW’s lawsuit alleges breach of contract, using funds to pay for operational expenses outside of the agreement, and tortious interference, among other counts of action. The last of those is directed solely at the parent Triller Group for its role in directing TrillerTV’s financial conduct.

    Flipps Media Inc., the corporate entity underlying TrillerTV, told the Court that the company is insolvent. This legally means it’s unable to pay its debts. Flipps says the company lacks a board of directors, a fact that prevents it from filing for bankruptcy. Flipps is asking the Court to declare that its officers are its board of directors so Flipps can consider whether bankruptcy is in the best interests of the company and its creditors. Flipps has also alleged that TrillerTV has been abandoned by the Triller Group. As of the research for this article, the Triller Group has offered no comment on that accusation.

    AEW has recently launched MyAEW, which is its own streaming platform in partnership with Kiswe in March of this year. This was meant to replace much of what TrillerTV offered international fans through AEW Plus, which was formally discontinued last month.

    What are your thoughts on this lawsuits?

  • AEW Double or Nothing Reaches over 13K tickets distributed

    AEW Double or Nothing Reaches over 13K tickets distributed

    According to WrestleTix, AEW’s Double or Nothing, which will take place at Louis Armstrong Stadium in Queens, New York, has already distributed 13,200 tickets. This is also about a week and a half before the show is set to take place on May 24th. Only part of the card has been announced so far.

    Matches that have been announced already include:

    • AEW International Championship: Kazuchika Okada (c) v. Konosuke Takeshita
    • AEW Tag Team Championship: FTR vs. Christian Cage and Adam Copeland in an “I Quit” match with the stipulation that if they lose, Cage and Copeland must retire as a tag team.
    • AEW Women’s World Championship 4 way match: Thekla (c) vs. Hikaru Shida vs. Jayme Hayter vs. Kris Statlander
    • 14 man stadium stampede match: The Elite (The Young Bucks and Kenny Omega), The Hurt Syndicate, Chris Jericho, and Jungle Jack Perry vs. The Demand and the Don Callis Family (Mark Davis and three others TBD)

    With a week and a half left and only probably half the card announced so far, how many tickets do you think this PPV will sell?

  • AEW Action Figure Line At Jazwares Shuts Down, Employees Laid Off

    AEW Action Figure Line At Jazwares Shuts Down, Employees Laid Off

    Some big news in the wrestling action figure space made its way to the surface recently.

    On Friday, May 8th, Wrestling Figure News reporter revealed that the toy company Jazwarew laid off their entire AEW team that day.

    “Late Friday, I got word that, unfortunately, the entire AEW Jazwares team over there at Jazwares were laid off on Friday.”

    What this means for the AEW action figure business remains to be seen as nothing new has been announced as of now.

    AEW has been partners with Jazwares since 2020 – who had created 3 different lines for the figured – Unmatched, Supreme, and VAULT.

    Bodyslam will keep you all updated as any new information becomes available.

    Full video below:

  • Top 10 Greatest Rivalries and Feuds in Wrestling History

    Top 10 Greatest Rivalries and Feuds in Wrestling History

    There’s a reason people who “don’t even watch wrestling” know who Stone Cold Steve Austin is. Or why a match from 1987 still gets referenced in think pieces today. The best feuds in pro wrestling aren’t just about two guys fighting — they’re about conflict, identity, and the kind of storytelling that gets under your skin whether you want it to or not.

    These are the ten rivalries that did exactly that.


    10. Randy Savage vs. Ricky Steamboat

    WWF, 1986-1987

    Before anyone had figured out what a truly great wrestling match could look like, Randy Savage and Ricky Steamboat sat down and essentially invented it. The setup was simple and vicious: Savage drove Steamboat’s throat into the guardrail, then dropped a ring bell onto his larynx from the top rope, putting him out of action. From that moment on, the crowd wanted revenge in the worst way.

    What they got at WrestleMania III — in front of 93,173 fans packed into the Pontiac Silverdome in Michigan — was 14 minutes and 35 seconds of pure, breathless wrestling, complete with 22 pin attempts and almost no wasted movement. Steamboat won the Intercontinental title and stole the show from a card headlined by Hogan and Andre the Giant. Savage himself later said that everywhere he went, fans brought up this match above all others. Thirty-plus years later, they still do.

    9. Sami Zayn vs. Kevin Owens

    Independent Circuit / NXT / WWE, 2002–Present

    Most feuds have a beginning and an end. This one just keeps finding new chapters.

    Sami Zayn and Kevin Owens first fought each other in 2002 in IWS, a small Canadian indie promotion, and went on to tear apart PWG, Ring of Honor, NXT, and WWE across the next two decades. What makes it work is that it’s never just about the belt or the spot on the card — it’s about two people who genuinely know each other too well. The betrayals hit harder because the friendship was real. The reunions feel earned because you’ve watched them earn it.

    By the time they stumbled into an unlikely tag team championship run together — partly as a result of Zayn’s absurd infiltration of The Bloodline — the whole thing had taken on a dimension no writer could have planned. No modern feud has more history or more heart.

    8. Edge vs. John Cena

    WWE, 2006–2009

    Edge and Cena didn’t like each other, and it showed. Edge was the guy who would cash in a Money in the Bank briefcase at 2 in the morning on a wounded champion — which he literally did — while Cena was the company’s straight-laced golden boy who couldn’t be bought or bent. The contrast was perfect.

    What elevated this beyond a standard good-vs.-evil feud was that Edge was genuinely compelling as the villain, not just cartoonishly evil. He was smart, petty, and opportunistic in ways that felt real. Their TLC matches were some of the most brutal and athletic spectacles of the era, and the feud had enough twists and title changes to sustain multiple years without feeling tired. It’s a rivalry that holds up much better than people give it credit for.

    7. Ric Flair vs. Dusty Rhodes

    EVERYWHERE – NEVER ENDED REALLY

    Before WWE dominated everything, American wrestling was a patchwork of regional territories — and the NWA produced some of the most sustained, genuinely emotional feuds the business has ever seen. The crown jewel of that era was Ric Flair against Dusty Rhodes.

    The contrast couldn’t have been sharper. Flair was all private jets, designer robes, and championship gold — a man born to make you despise him. Dusty was the “American Dream,” a heavyset guy from the Carolinas who talked and fought for everyday working people. It was class warfare turned into pro wrestling, and arenas sold out for it night after night for over a decade. This feud is the reason the NWA still means something to people who weren’t even alive to see it.

    6. John Cena vs. CM Punk

    WWE, 2011–2013

    On June 27, 2011, CM Punk sat cross-legged at the top of the entrance ramp and delivered what became known as “the Pipe Bomb” — a promo that blurred the line between scripted television and genuine grievance so completely that even some media outlets weren’t sure what they’d just watched. Nothing in the promo was scripted by WWE writers. Punk was saying what he actually thought, with permission to say it on live TV, and it showed.

    Their match at Money in the Bank 2011 in Chicago — Punk’s hometown — was a five-star classic according to Dave Meltzer, the first WWE match to receive that rating since 1997. The atmosphere was unlike anything seen in years: 15,000 fans treating Cena like the villain and Punk like a returning hero. Punk won the title, walked out of the arena, and posed for photos on the street with his friends. For a moment, it felt like anything could happen in WWE. That feeling is rarer than it should be.

    5. Kane vs. The Undertaker

    WWF/WWE, 1997–2010

    This one hits home. I was at the age where I still thought wrestling was real. No feud in WWE history has a better origin story. For months in 1997, Paul Bearer — Undertaker’s long-time manager — hinted at a dark secret: that Undertaker had started a fire as a child that killed his parents and his younger brother Kane. Then, during the very first Hell in a Cell match at Badd Blood: In Your House in October 1997, the lights went out, the arena turned red, and out walked a 7-foot masked monster in red and black. Kane ripped the cell door clean off its hinges, stood face-to-face with his brother, and Tombstoned him — costing Undertaker the match.

    What followed was one of the most gothic, emotionally rich storylines WWE has ever produced. Undertaker initially refused to fight his own brother no matter what Kane did to provoke him — and Kane did plenty, including burning a casket with Undertaker inside it at the 1998 Royal Rumble. When they finally met at WrestleMania XIV, it took Undertaker three Tombstone Piledrivers to put Kane away. Their first Inferno match followed shortly after. Then a brief, uneasy alliance. Then betrayal again.

    The feud never truly ended — it just kept finding new reasons to restart, spanning more than a decade of feuds, tag title runs, Buried Alive matches, and Hell in a Cell rematches. The in-ring quality was inconsistent, but as a piece of long-form storytelling driven by two iconic characters and one of wrestling’s greatest managers in Paul Bearer, it has no equal. Kane’s debut alone is considered by many the greatest character introduction in wrestling history.

    4. Shawn Michaels vs. Bret Hart

    WWF, 1992–1997

    The real heat between these two made everything better and everything more volatile. Bret Hart and Shawn Michaels genuinely could not stand each other — their professional jealousy, their clashing personalities, their competing visions of what wrestling should be — and all of it ended up on screen whether it was meant to or not.

    What they produced together was extraordinary. Their 61 minute Iron Man Match at WrestleMania XII is still talked about today. And then came Montreal in November 1997, where Vince McMahon had the referee ring the bell while Bret was still locked in the Sharpshooter, costing him the title on his last night in WWE. It wasn’t a storyline. It actually happened. Bret didn’t know it was coming. The look on his face when he realized it was real is one of the most haunting images in wrestling history. No rivalry has ever ended quite so messily, or been quite so impossible to look away from

    3. The Rock vs. Steve Austin

    WWF, 1997–2003

    They headlined WrestleMania together three times — at XV, XVII, and XIX — and each match felt like the biggest possible version of itself. The Rock and Steve Austin had the kind of chemistry that makes everything look effortless: the timing, the crowd manipulation, the ability to take a moment and stretch it until the whole building was vibrating.

    Austin was the blue-collar brawler from Texas. The Rock was the arrogant, preening Hollywood star who happened to be one of the greatest talkers the business has ever produced. Together they carried the Attitude Era to its highest peaks and gave WWF the ammunition it needed to finally pull ahead of WCW in the ratings. Austin’s last match for 19 years was against The Rock at WrestleMania XIX in 2003. They could have phoned it in. They didn’t.

    2. Kenny Omega vs. Kazuchika Okada

    NJPW / AEW, 2017–Present

    This feud didn’t just produce great matches — it changed the wrestling business.

    Kenny Omega had just become the first foreigner to win New Japan’s prestigious G1 Climax tournament when he challenged Okada for the IWGP Heavyweight Championship at Wrestle Kingdom 11 in January 2017. What followed earned a record-breaking six-star rating from Wrestling Observer’s Dave Meltzer, who called it one of the greatest matches in the history of professional wrestling. Across four bouts in NJPW — accumulating more than 200 minutes of combined match time — the two men established a standard for in-ring work that genuinely had not existed before. New Japan’s subscriber numbers spiked after Wrestle Kingdom 11 alone. The buzz from this rivalry drew new audiences to wrestling worldwide and helped lay the creative groundwork for AEW’s founding. Their rematch at Dominion 6.9 in 2018 received seven stars from Meltzer — a number that felt impossible until it wasn’t.

    In terms of pure in-ring achievement, nothing in the 21st century comes close.

    1. Steve Austin vs. Vince McMahon

    WWF, 1997–2003

    It started on September 22, 1997, when Austin hit McMahon with a Stunner on Raw — a moment described as “previously unthinkable” because McMahon had simply been the voice of the company until that point. Nobody expected the owner to become a character. Nobody expected the character to work this well.

    The genius of Austin vs. McMahon is that it didn’t require any suspension of disbelief. Every working person in America already knew what it felt like to have a boss who made their life a misery for no good reason. McMahon was that boss — pompous, vindictive, and desperate to control something he couldn’t quite break. Austin was the guy who refused to be broken, who showed up every week and did exactly what McMahon told him not to, and drank a beer over his boss’s limp body while the crowd lost its mind.

    This feud helped WWE survive the Monday Night Wars. It made Austin arguably the most popular professional wrestler who ever lived. It produced television so compelling that even people who’d never watched wrestling were tuning in to see what happened next. Some feuds are great wrestling. Some feuds are great entertainment. Every once in a while, you get one that’s genuinely great storytelling — and this is the best example the business has ever produced.


     

    The best wrestling feuds work because they tap into something universal — jealousy, betrayal, the need to prove yourself, the desire to see the underdog finally win. These ten rivalries did all of that and then some.

     

    ALL OPINIONS ARE THOSE OF THE AUTHOR

  • AEW Dynamite Preview – May 13, 2026

    AEW Dynamite Preview – May 13, 2026

     

    Last night during the LIVE AEW Collision episode, new matches for this upcoming weeks Dynamite have been revealed for Wednesday night.

    -After a successful World Title defense against PAC on Collision, Darby Allin will defend against Don Callis Family member Konosuke Takeshita.

    -Also during the Collision event last night, it was announced that the Owen Hart tournament would be returning, and the brackets for both the men’s and women’s tournaments will be revealed on Wednesday Night Dynamite.

    -We’ll hear from former two-time AEW World Heavyweight champion Maxwell Jacob Friedman – MJF!

    -Former TNA X Division champion Ace Austin takes on Will Ospreay. Many fans have been wanting to see this match for quite awhile. Ace signed with AEW around this time last year, while Ospreay recently returned from a pretty severe neck injury.

    -In a massive 5 on 5 match, The Young Bucks will partner up with the team of Cope & Christian, as well as current AEW Trios champion Orange Cassidy to take on current AEW Tag Team champions FTR, the Dogs – David Finlay & Clark Conners – as well as former AEW National champion Tommaso Ciampa.

    Tune into AEW Dynamite at 8pm Eastern/7pm Central on Wednesday Night on TBS and streaming on HBO MAX.

  • AEW Fairway to Hell Collision Results – May 9th, 2026

    AEW Fairway to Hell Collision Results – May 9th, 2026

    AEW was at the Sofi center in Palm Beach Gardens, Fl for their Collision Fairway to Hell. In a beautiful golf based venue complete with fairway, two titles were on the line.

    This show saw one title change….with some help from a “friend.” This title change was was when Mark Davis of the Don Callis Family defeated Jungle Jack Perry with a help of Ricochet and a golf club.

    The show was also the debut of the Divine Dominion’s five minute challenge. If you can survive five minutes with the duo, then you earn a women’s tag team title shot.

    This episode also revealed the doubling of the teams for Double or Nothing’s stadium stampede with The Hurt Syndicate and Jericho being joined by Jungle Jack Perry and the Elite (The Young Bucks and Kenny Omega). The opposite team is comprised of The Demand and members of the Don Callis family to be determined later.

    Also mentioned was the women’s four way for the AEW Women’s championship for Double or Nothing which includes Thekla (c), Hiraku Shida, Kris Statlander, and Jayme Hayter. World Champion Darby Allin defended his title against The Bastard Pac in the main event in a no countout match.

    Other announcements include another title defense for Darby as he defends against Konosuke Takeshita, a 10 man tag team match, announcement of the brackets for the Owen Hart tournament, and the crowd will hear from MJF.

    Results of the matches are as follows:

    • Mark Davis def Jungle Jack Perry (c) to win the AEW National Championship (NEW CHAMPION) via pinfall
    • Divine Dominion (Lena Kross and Megan Bayne) def Ruthie Slay and Rachel Ley with almost 2:43 left in the challenge via pinfall
    • Speedball Mike Bailey def Kiran Grey via pinfall
    • Darby Allin (c) def The Bastard Pac (AND STILL) via pinfall

     

  • The Toxic Spider Has the Gold — And She Was Always Going To

    The Toxic Spider Has the Gold — And She Was Always Going To

    She stumbled into professional wrestling at a punk-rock show in Vienna when she was 19 years old. Now, at 33, Thekla is the AEW Women’s World Champion.

    There is a version of this story where Thekla Kaischauri never makes it. Where the girl from Vienna with the punk band and the fine arts degree stays on that side of the world, making paintings and playing guitar, and professional wrestling remains just a strange thing she once stumbled into at a show.

    That version does not exist. It never really had a chance.

    An Unlikely Beginning

    Born April 30, 1993, in Vienna, Austria, Thekla holds a Master of Fine Arts degree from the University of Applied Arts Vienna. She describes herself as a creative kid who tried everything — comics, guitar, painting — before finding her true calling in the most unexpected of venues.

    She stumbled into her first taste of wrestling at a local punk-rock show at age 19 and swiftly became obsessed with the bizarre nature of what she witnessed. That obsession would reshape the rest of her life.

    She began her wrestling journey in 2017 in Vienna’s underground scene — a world of pub basements, no ropes and loosely enforced rules that bore little resemblance to mainstream professional wrestling. Her first match in a traditional ring did not come until April 2018, when she competed for Independent Pro Wrestling Germany in Lübeck. Her unconventional entry into the business turned out to be an asset. Having not grown up immersed in wrestling history, she developed a style and character drawn from a far wider range of influences — art, music, punk culture — giving her a creative freedom that more traditionally trained wrestlers rarely possess.

    Japan: A Wrestler is Born

    If Vienna gave Thekla a foundation, Japan built the house.

    She considers herself Japan-bred, having worked within the wrestling-obsessed country as early as late 2017. Being the only foreigner in promotions stacked with elite talent forced rapid development. She did not speak the language at first, and the culture surrounding professional wrestling was unlike anything she had encountered in Europe. The crucible made her.

    In late 2021, Thekla made the leap to World Wonder Ring Stardom, where she worked alongside bigger names such as Giulia and Mina Shirakawa. She competed there through 2025, becoming one of the few high-profile gaijin — foreign wrestlers — to establish herself meaningfully in Japanese women’s wrestling.

    Her time in Japan was not limited to the ring. During her years in Tokyo, Thekla exhibited her artwork in three solo exhibitions, including one at the Austrian Embassy in Tokyo — a reminder that the artist and the athlete were never far apart.

    The Move to AEW

    Thekla officially completed her contractual obligations with Stardom following the promotion’s All-Star Grand Queendom event on April 27, 2025. Her departure was marked by a storyline firing angle after her match, providing a definitive end to her successful run there.

    The American wrestling market came calling quickly. Reports indicated that WWE had its eye on her and that All Elite Wrestling had developed significant interest toward the end of 2024. She chose AEW, making her on-screen debut May 28, 2025, on Dynamite.

    The Toxic Spider

    What separates Thekla from the rest of the AEW women’s roster is not just her background — it is how all of that background manifests the moment she steps through the curtain.

    She carries herself with the effortless menace of someone who has nothing left to prove and everything left to take. Her in-ring style is chaotic and precise in equal measure — limb-targeting submissions wound around spider-like movement, sudden bursts of violence punctuated by a cold, unhurried composure that makes her more unsettling than any screaming heel on the roster. She does not chase the crowd’s reaction. She makes the crowd chase her.

    The nickname fits. The Toxic Spider does not brawl. She traps.

    Champion

    The payoff came on Feb. 11, 2026, when Thekla defeated Kris Statlander in a strap match on Dynamite to capture the AEW Women’s World Championship. She is now the reigning champion and a member of the Triangle of Madness stable alongside Julia Hart and Skye Blue.

    The stable also represented AEW in the CMLL Grand Prix de Amazonas at Arena Mexico in October 2025, marking Thekla’s lucha libre debut and underscoring the global footprint she has built across three continents.


     

    For fans who are only now discovering her, the career arc speaks for itself — from a punk show in Vienna, to the dojos of Tokyo, to the top of one of America’s premier wrestling promotions. She did not take the expected road. She did not take any road at all. She carved through the wilderness on her own terms, and now she stands at the summit holding a championship that looks like it was made for her. Maybe it was.

     

  • Top 10 Greatest Mic Workers in Pro Wrestling History

    Top 10 Greatest Mic Workers in Pro Wrestling History

    A finishing move can end a match. A great promo can end a career — or launch one into the stratosphere. These 10 wrestlers understood something most never fully grasp: in professional wrestling, the microphone is the most dangerous weapon in the building.


    10. MJF

    AEW • 2019–PRESENT

    Maxwell Jacob Friedman is the best heel talker of his generation and the strongest argument that elite mic work is not a relic of a previous era. MJF is clearly a student of the game. His promos are technically constructed with the precision of a trained writer — knowing exactly when to go personal, when to break kayfabe and when to let the crowd’s hatred fuel the next sentence. Just recent turning 30, MJF has already produced promo work that belongs in the same conversation as the legends above him on this list. You can see bits and pieces from the rest of the field in his work  

    9. Steve Austin

    WCW / WWE • 1989–2003

    Stone Cold Steve Austin’s mic work was deceptively simple — short sentences, blue collar attitude and a consistent philosophical code about beer, stubbornness and not taking orders. That simplicity was pure genius, because every word Austin said felt like something a real person in the audience would actually think or want to say themselves. His promos didn’t just over deliver on crowd reaction; they created a cultural identity that resonated far beyond wrestling fans. Add in the raspy Texas accent and 99% of the time you could feel his words.

    8. John Cena

    WWE • 2000–2025

    John Cena’s mic work is one of the most underrated in wrestling history, largely because his babyface run drew so much heat that fans overlooked how technically accomplished he was at promos. His rap-influenced early character gave him a comedic edge and quick wittedness that few main event stars of his era could match. When Cena went serious — particularly in feuds with CM Punk and The Rock — he consistently delivered the kind of composed, layered promo work that belongs in any legitimate conversation about the best talkers of his generation.

    7. Paul Heyman

    ECW / WCW / WWE • 1987–PRESENT

    Paul Heyman is the closest thing to a pure orator professional wrestling has ever produced — a man who could take the most absurd premise and present it with the conviction of a closing argument before a jury. As both a performer and an advocate for Brock Lesnar, he demonstrated that great mic work is fundamentally about persuasion, not volume. His promos don’t just sell matches; they reframe the entire narrative around his client as inevitable and undeniable. 

    6.  Roddy Piper

    NWA / WCW / WWE • 1975–2011

    Roddy Piper was the original unpredictable — a man who could shift from hilarious to genuinely unnerving in a single sentence, and frequently did. His Piper’s Pit segments set the template for the wrestling talk show format precisely because he could not be scripted into a corner; he found the live wire in every exchange and grabbed it with both hands. Piper’s gift was making everyone around him seem like they were improvising just to keep up.

    5. Jake “The Snake” Roberts

    WWE / WCW / INDIES • 1974–2018

    Where most wrestlers screamed to get their point across, Jake Roberts whispered — and arenas went dead silent. His mic work was psychological rather than theatrical, built on menace, metaphor and the unsettling calm of a man who had already decided what he was going to do to you. Roberts proved that restraint could be more terrifying than anything a louder wrestler could offer.

    4. The Rock

    WWE • 1996–PRESENT

    The Rock turned catchphrases into cultural currency and crowd work into an art form, operating on a comedic timing and rhythm that most stand-up comedians would envy. His genius was making the audience feel like participants rather than spectators — his call-and-response style gave arenas of 20,000 people the illusion they were having a private conversation with him. No wrestler before or since has crossed over into mainstream entertainment on the strength of mic work alone quite like Dwayne Johnson did.

    3.  CM Punk

    ROH / WWE / AEW • 2002–PRESENT

    CM Punk’s 2011 “pipe bomb” promo remains the most electrifying unscripted moment in modern wrestling, but it was no accident — it was the product of a career built on sharp, specific and brutally honest mic work. Punk spoke with the controlled rage of someone who actually meant every single word, which made him uniquely credible in an era of polished corporate promos. Even his detractors concede that when the microphone was in his hand, you could not change the channel.

    2.  Dusty Rhodes

    NWA / WCW / WWE • 1974–2010

    The American Dream spoke directly to working-class audiences in a way no other wrestler in history has managed to replicate. His promos were loose, rambling and deeply emotional — yet somehow always landed exactly where they needed to. Dusty turned vulnerability into a superpower, and crowds didn’t just cheer for him; they believed him.

    1.  Ric Flair

    NWA / WCW / WWE • 1972–2011

    No one in wrestling history combined volume, charisma and pure spectacle the way Ric Flair did every time he grabbed a microphone. His promos were operatic performances — part carnival barker, part Shakespearean villain — delivered with a conviction that made every word feel like gospel. Whether he was bragging about limousine rides and jet plane flights or begging for mercy on his knees, Flair was incapable of giving a dull moment. I’m sure if you asked all men ranked behind him, they would agree he would be #1.

     

    ALL OPINIONS ARE THOSE OF THE AUTHOR

     

     

     

     

  • AEW Collision Results – May 6, 2026

    AEW Collision Results – May 6, 2026

    On May 6th, 2026 AEW aired the 143rd episode of Collision live in North Charleston South Carolina inside North Charleston Coliseum & can watch it on TNT & HBO MAX (United States), USA Network (Canada) & MyAEW (International).

    Mike Bailey defeated AR Fox via Ultima Weapon (7:33)

    Jamie Hayter defeated Skye Blue via Avalanche Hayterade (9:20)

    Rush defeated Manny Lo (0:48)

    10 Man Tag Team Match
    Bang Bang Gang (Austin Gunn, Coleton Gunn & Ace Austin) & Young Bucks (Matt Jackson & Nick Jackson) defeated Death Raiders (Claudio Castagnoli, Wheeler Yuta & PAC) & The Dogs (Clark Connors & David Finlay) via The Fold on Yuta (14:20)